Fatimah Abdullah Rifaat (1930-1996), better known by her pen
name Alifa Rifaat, was an Egyptian author. Her fiction touched on the dynamics
of female sexuality, relationships, and loss in rural Egyptian culture. She
wrote in Arabic, and her work has been translated into many international
languages. Pundits insist that her stories did not attempt to undermine the
patriarchal system; rather they were used to depict the problems and
hypocrisies entrenched in a patriarchal society.
Fatimah was raised in provincial Egypt and spent most of her
life there. Subsequently rural Egypt became the setting for most of her
stories. Fatimah who began to write at a very early age was educated at The
Cultural Center for Women and the British Institute in Cairo from 1946 to 1949
where she studied English. As a married woman, despite frustrations over the years she wrote
and published her work. She was a member of the Federation of Egyptian Writers,
the Short-Story Club, and the Dar al-Udaba (Egypt). In 1984 Fatimah Rifaat received
the Excellency Award from the Modern Literature Assembly. She died in 1996.
Her works include: "Eve Returns to Adam" (1975) ,
"Who Can Man Be?" (1981), The prayer of Love" (1983), Distant
View of a Minaret and Other Stories (1983), "On a Long Winter’s
Night" (1980) , The Pharaoh’s Jewel (1991), and the unfinished House in the Land of the
Dead.
Studies:
Studies:
Feminist issues and concerns
in the fictions of two Egyptian women
writers : Alifa Rifaat and Nawal El-Saadawi by Shafiqa Anwar Fakir
Islamic culture and the question of women's human rights in North
Africa : a study of short stories by Assia Djebar and Alifa Rifaat by
Naomi Epongse Nkealah
Patriarchal and Alternative Worlds in Alifa Rifaat's "My World of the
Unknown", Ismat Chughtai's "the Guilt" and Khalida Hussain's
"messenger"
writers : Alifa Rifaat and Nawal El-Saadawi by Shafiqa Anwar Fakir
Islamic culture and the question of women's human rights in North
Africa : a study of short stories by Assia Djebar and Alifa Rifaat by
Naomi Epongse Nkealah
Patriarchal and Alternative Worlds in Alifa Rifaat's "My World of the
Unknown", Ismat Chughtai's "the Guilt" and Khalida Hussain's
"messenger"